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THE WHITE COUNTESS (PG) |
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Set in Shanghai in the late
1930s, this is the story of the relationship between a
disillusioned former US diplomat and a refugee White Russian
countess reduced to a sordid life in the city's bars.
Todd Jackson (mid-40s), once an American diplomat filled with
idealism, has lost his sight several years earlier, and is now
languishing in Shanghai's grand hotels and elite gentlemen's
clubs, a burnt-out case, He has become bitterly disillusioned
by realpolitik and the seemingly unavoidable nature of war and
conflict. He is, moreover, deeply bereaved by the deaths of
his wife and children - victims of violent events in the
political turmoil of 1930s China that also robbed him of his
sight.
As our film begins, we find him trying to retreat into a
smaller, more controllable world by way of an ambition he has
always secretly nurtured: to create here, in perhaps the
world's most licentious, glittering and sordid port, the
perfect bar. After countless hours spent critically examining
dive after dive in the city's pleasure districts, Jackson has
become a connoisseur of decadence. And one day, after a chance
meeting with Matsuda - a mysterious Japanese who appears to
share Jackson's refined eye for the beauty of low-life
establishments - Jackson gambles his savings on a horse, wins,
and sets about realizing his masterpiece: a bar that will
achieve the exquisite balance of romance, tragedy, and
political tension.
He is assisted in his project by Matsuda. The fact that
Matsuda is a decidedly shadowy figure fails to worry Jackson.
And when rumors circulate that Matsuda has come to Shanghai to
oversee a Japanese invasion of the city, Jackson still
willfully refuses to listen. He absorbs himself in perfecting
his bar, determined to keep the larger world - and his deeper
emotions - locked firmly outside.
Sofia is a White Russian countess in her thirties who fled the
Bolshevik Revolution as a child. Her immediate family have
perished. She now lives in a Shanghai slum with members of her
late husband's aristocratic family and her ten-year-old
daughter, Katya. Sofia is the household's sole breadwinner,
working as a taxi-dancer in dingy night spots, resorting to
prostitution when times are hard. The rest of the household
show their gratitude by endlessly ostracizing her for bringing
disgrace to the family.
Jackson encounters Sofia one night working at her taxi-dance
hall, decides she is the perfect blend of tragedy and
sensuality and asks her to become the centerpiece of his
perfect bar. Thus begins a relationship that will see Jackson
- despite his best efforts - slowly coaxed out of his enclosed
world. He gradually comes to concede that Sofia may be more
than a beautiful picture, becomes drawn to the spirited young
Katya, and ultimately, into the intrigues within the family to
separate Sofia from her child.
The story ends as the Japanese invade Shanghai, with the
entire world on the brink of World War II. Ironically, it is
at this point that Jackson, in acknowledging his love for
Sofia and her daughter, finds reawakened his own idealism for
a world free from war.
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